Y’know, it strikes me that in the months I’ve had this blog, I still haven’t posted anything about NBC’s Grimm. I blame my crazy schedule that keeps me posting only once a week.
For the uninitiated, Grimm is a show about a
homicide detective named Nick Burkhardt, played by David Giuntoli. Portland
Burkhardt is descended from a line of hunters called Grimms who hunt down Wesen, creatures that hide among humanity and are hidden in plain sight until they “volg” and show what they really are. The suggestion is that the Brothers Grimm were actually Grimms and their encounters with Wesen were disguised as a collection of folk tales (I wonder why people seem to love this idea of Jacob and Wilhelm Grimm secretly being detectives, hunters or other men of action rather than the scholars and linguists they were. I guess collecting German folk stories and having a law of philology named after them isn’t good enough for some people). Anyway, Burkhardt’s primary ability is the power to see what Wesen are when they don’t want him to. There are some other characters like his partner Hank Griffin (Russell Hornsby) and girlfriend Juliette Silverton (Bitsie Tulloch). However, I think the guy who really steals the show on a regular basis is this guy:
Silas Michael Weir as
is a blutbad, which is basically a “Big, Bad Wolf” type creature. Monroe
regularly helps Nick understand Wesen culture from a non-stab-y, kill-y, hunt-y
sort of perspective. I’ve seen the Big,
Bad Wolf reimagined about a million ways, but Monroe is probably the first time
I’ve seen him reimagined as a lovable, dorky clock maker who goes overboard
decorating for Christmas and Halloween (trust me, it’s better than it reads on
paper). Almost as endearing is Bree
Turner as Rosalee, Monroe ’s
lady love. She’s a fuchsbau (fox
creature) who runs a tea and herb shop. Monroe
Now, the show has been on for three seasons and will have a fourth one coming up. Each episode starts with an uncredited fairy tale quote written on the screen. This drives me nuts, because I want to know where the quote comes from and I rarely recognize them out of context. Sometimes, they do episodes that borrow plots almost directly from famous fairy tales. These episodes also drive me nuts because the characters never seem to notice the plot they’re walking through. Seriously, how do you not realize that you’re in the middle of “Rumpelstiltskin”? Those episodes also drive me crazy with some of the odd choices they make. For example, their version of “Cinderella” involved a Wesen that was essentially a psycho bat-creature with a dangerous high-pitched sonic scream (yes, you read that right). And yet, despite these things, I actually like this show. The truth is that when Grimm doesn’t do that stuff, it’s an awesome show. That’s roughly 90% of the time. It’s one of the few shows I know of that draws on the themes of more obscure folk stories like “The Robber Bridegroom” or “The Demon in the Bottle”. There has been more than one occasion when the show has given me some glimpse of folklore that I was unaware of like La Llorona, El Cucuy or the Aswang. You know they’re doing their homework when they give me something to Google! But overall, I think the great thing about Grimm is how much it is its own thing. Unlike other fairy tale shows (:cough:Once Upon a Time:cough:), Grimm has a very unique identity unto itself. That identity, along with some really extensive world-building and really good storytelling keeps Grimm a show that I will willingly come back to every season.
Thoughts on NBC’s Grimm? The comments section is below. You know what to do.